An m'lady gave me an interesting story the other day.

We masters are slightly changing the play pattern or trying absolutely
different pattern in each case. We have such a delicate sensitivities,
I mean, caring about the play patterns.

Sure we are enjoying that as well, but basically our hope is
our partner's delightness.

Like this:
How about public nudity play before we get the hotel?

Or:
Forced to do a blow job before tie her up ... and so on.

The reason of this is simple. We are worrying to become stereotyped.

But the other day, she, that m'lady, told me one thing while
we had a conversation to improve our relationship.

"I love patterned plays, though. It gives me some kind of relief."
She tossed her two cents.

" hmm.... ."

I didn't get that mean at once.

Does that kind of patterned plays truly satisfacty her masochism?

Does she really feel any attractiveness with the master who playing
around patterned thing?

I thought that.

Fortunately, we were taking dinner meantime.
So we had enough time to talk about that issue.

She ordered two more piroshkis, and I ordered one more bottle of wine.

And then we spent two more hours on the issue.

After the conversation I almost got her idea.

Here's the idea.

I believe you might know Otoko Wa Tsuraiyo, or It's tough to be a man,
Kiyoshi Atsumi featured series of movies.

That didn't get higher support from reviewers, but that films were loved from
various range of audience, or you might say that was real cash cow stuff.

Yeah, sure the story was all the same.

Tora san comes back somewhere else and will meet some heroine and then
fall in love in the every lead. After a big fuss he is dumped and then
leave his home town.

Everyone knows about the storyline, but no one never complaints to.

I think TV dramas and horse operas are similar.

Watchers are watching the show even they already knew the line.

She gave me the final card.

"You know something? Patterned stories are bring some relief to us."

She goes the patterned thing should keep the pattern.

For instance, the Tora san mast be dumped and then hit the road.

She said she is okay for patterned play with me, no, preferably,
she could enjoy that since she could easily know each step of the play.

The theory defies my idea.

"I think, if they frequently changed their play style, it is the reflection
of the unstability of their relationship, or crudeness of their master-slave
relationship, isn't it?" she added.

Through this conversation she taught me the hope and importance of the
patterned play for m'ladies who they want to have feeling of profound
relief in master-slave relationship. The stabilized period and the growth
period are different story.

And then she finished with this.

"I said lots about the relief from patterned act, but it still needs
brightness or appeal of the actor. Isn't it?"

Was she saying nice things about me?

I'd almost asked this to her but I stopped. I know how stupid I am
if I questioned this to her.

I'm gonna tell you one more interesting opinion that she gave me while
our conversation. It's about long run TV series 'Mito Koumon'.

As you well known, the climax of the every single story of the series is
the scene which is with the lines 'Everyone don' move, stay calm' after
Suke-san and Kaku-san beat up scoundrels and briskly hold up the Inrou,
or the batch.

She said every viewing audience feel so pleasure at this point.

Rest of the scene is sort of extra stuff to bring out the high point.

The only thing they need is a bad guy or guys. That's all.

Viewing audiences are investing their time for the high point.

Listening music is same thing.

We want to get the feeling more efficiently at the high point so we are
listening through the song.

The high point is not gonna work if we skip rest of the pieces.

S&M play as well, she claimed.

The climax of the S&M play for her is the point when I explode my jism
in her mouth. The moment, she is getting extreme orgasm.
In order to get that she is playing the rest of the parts.

"That's it. I'm cool with out such a your concern, by the way."
She gave me her cute smile.


shadow

translated by Peter Junk