Thanksfully, moving into Tokyo of Kansai-based entertainer, such as Sanma
Akashiya, made stable popularity than ever about Osaka-dialect last decade.

And there are quite a lot of commercials those are deliberately using
Osaka-dialect or overbrowned Osaka color.

My favorite one, 'The guy who has guts pop the Hope' a tabaco commercial,
appointed Hidekazu Akai; he also one of the key players of the current
Osaka-dialect movement.

Generally, Osaka-dialect has sort of reputation like warm, filth, too straight,
and so on. But I've been aware of something:
Osaka-dialect has kinda potential of S&M play.

Ali most all of my partner has been living in Kansai-area since I'm also
living in Kansai. But I met a girl, who was from Tokyo in order to enter
a university, to make S&M relationship.
Moving to Kansai from Tokyo to enter university is rare case.

The full story of her also has something, but I left out form here since
it isn't the theme of this column.

Anyway, what she wanted to was nagging with nasty Osaka-dialect while the play.

Okay, let me show you some example about difference between Tokyo-dialect
and Osaka-dialect.

*NOTICE In the following section, the part nasty-tones were originally
written in Osaka-dialect.

"You've gotten so wet, like this."
"Where did you GET this SLIMY stuff, Uh?"

"Better to take off your panties, now"
"OFF the soggy panties, NOW, you cunt."

"Would you give me the job?"
"Suck my dick, u BITCH"

I'd like to add "..." to Tokyo-dialect and "!!" to Osaka-dialect.

Like this.
"Better to take off your panties, now ..."
"OFF the soggy panties, NOW, you CUNT!"

How's this sound. Pretty different, uh?

Tokyo-dialect creates only a sort of master-servant relationship thing,
but Osaka-dialect makes more stage play like atmosphere.

Try the sound. I'm sure, that'll work.

That kind of coercive attitude moves m'lady's heart. Should be.

Moreover, Osaka-dialect gives us more risque emotion.

I'm quite sure that the reason of the why of many S&M video-movie made
in Kansai much nastyer than the Kanto maid of that is not skill of the
movie director but it must be the effect of Osaka-dialect.

Even the audiences are getting such a feeling the m'lady who is got
the words must have a storm-blow ecstasy.

"Hey, get the fukkin' work your cunt, bimbo! Much better .... ya bitch,
thasit, thasit. Spread ya leg, wider. Now!!"

Ah, yeah. It works.

As you get the S&M experiences, you will understand the weight of the
speaking manner. Actually, the skill of the blaming act affects the play
quite a lot.

You might be able to get the understandings of how to tie your partner at one-day seminar easily, and just kicking out your female partner to the outside without any clothes if you would like to try some public nudity thing.

Okay. Why don't we think about the blaming act, or oral communication, now?

That cannot possibly be achieved overnight.
And there is no 'Seminar for the blaming act'. I've never heard of them.

Recently, I got number of complaint from m'ladies about some pricks
who stupidly believe they are the master since only have some tying
knowledge or instrument. Okay, I'm gonna tell you something.

Just try to take some blaming act if you wanna weight master's level
of the performance.

I assure you that secretion of your joy-juice juices, I mean amount,
should be in direct proportion to the master's skill.

Every S&M play has some relationship with blaming act, more or less,
so every master has to have the blaming act skill.

You are wasting your time if you don't get wet well or he cannot handle
the words while you are playing.

They are just fuckin' made up useless masters like the fuckin' made up
school girls out there.

However, those they have certain knowledge and reliable skills
if you get some of those ecstasies with only their words, I might add.

Blaming act or play even don't need physical contact and could do on the phone,
so you should try this guideline more.

The breeders, who they have certain pride, are hanging upon satisfy
m'ladie's innate desire without teasing clit or vagina.
I might say I'm one of them.

I mean, the people, who only give the joy with such a common erogenous zone
of the human body, ain?ft the masters or breeders;
they are just ordinary people.

The person, who brings your orgasm or acme without anything but only the words,
should be called the breeder, or the master.

Naturally, you get orgasm with clitorize if you aren't anesthesia sexualis.

I, however, believe that since Kansai-breeders can manage the overbearing
influence and the sculduddery impression of Osaka-dialect with certain skill,
they have some advantage over the other region-based breeders.

How does the m'lady, who is having the play with Kansai-breeders,
feel when she get the play someone from the other region.?

She must have some missing feeling at the play with the mate's words, I guess.
Too much provincialism is not appropriate for there and the easy grace
expressions as typified by Kyoto-dialect as well.

By the bye, I'm creatively using both Osaka-dialect and Tokyo-dialect.

I'm gonna say why don't you m'ladis try to take a session with Kansai-breeder's
blaming act before you say you are an M or in the S&M side.

I also assure you that you'll never forget the fearfulness which impacted on
you by Osaka-dialect's laddish tone if you like heavy stuff in S&M play.

Even it might be okay if you don't like heavy stuff since Osaka-dialect has the
other side, sticky tone. That sticky tone will give you unrelenting tickling
feeling, I must add.


Dec.15, 1999 Shadow

translated by Peter Junk